At the Art Stage Singapore exhibition held in January this year, an artist from India attracted visitors' attention. This artist, named T.Venkanna's artwork involved himself searing in a booth in front of Mexican artist Frida Kahlo's The Two Fridas without any clothes on.
Visitors to the exhibition can choose to join him in the room, hold his hand, and get a photograph taken for a token price of $250.
This process is part of his art installation about "removing the trappings of identity".
Personally, I respect his approach on his art. I acknowledge many things to be art and I feel that art is not confined to sculptures and paintings and things that follow the Principles of Design and Elements of Art. As our society advance, our perception of art will have to change too. Art should be seen as an expression instead of a product. Therefore I can accept his work as art because it is him expressing an idea, addressing an issue.
However I do not think that this is a good piece of art. It does not seem to be doing what an artwork should do. An artwork allows people to think by relating it to people, which is why most museums and galleries are free for people to visit, because art is the spreading of ideas and not selling of ideas. The artwork, which is the naked artist has to be sealed off to prevent visitors from stumbling upon it by accident, that defeated the purpose of the artwork. The artwork is about removing the trappings of identity, it is probably something the artist want to change about this world, something he feels deeply, yet how many people can he reach out to with this approach and how many people can pause to think about the deep meaning he is perhaps trying to showcase beneath the "eccentricity" and the "freshness". People gets attracted because he is doing something different, something weird and interesting, they are not attracted by the values behind the work.
In addition, I feel that his expression of removing the trappings of identity is a little blatant and to your face. While it may be a good thing (people nowadays are very direct), for me it feels like a rather superficial interpretation of the message. I do not think that removing the trappings of identity merely to remove one's clothings. I feel that this artist is expressing his message with a very extreme approach, which would usually cause unnecessary controversies in our society.
Lastly, I do not understand why do the visitors have to pay such a high cost to take a picture with a naked artist as a token. The cost does not seem to have any direct link with his artwork. If it is to protect his privacy, I felt that the cost is also a bit too much. I do not understand what is his real purpose in charging people for taking picture with him.
Although much were said, I would still applaude him for being brave enough to challenge our society's perception of art. Artists often go out to challenge the limit, pushing things further and further each time. It shows that as more and more people accept the different perceptions, art can be viewed as a neutral platform in which many things can be questioned and discussed.
I just wish that his art, especially the substance in his art is worth being so brave for.
:)
darkness is the mere absence of light. since we can't destroy darkness... we will just have to make the light go on again.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Monday, September 26, 2011
[WRITING] Valerie's coursework :)
Valerie's coursework is one of my personal favourite (not just because she's my classmate okay)
I felt that her coursework not only has a very clear message, but she also expressed it in a very creative way.
The coursework consists of 3 paintings and 3 chairs.
Each of the paintings will pair with one chair and together they represents one stage of a person's life.
The whole series is then linked together with a cup - a representation of one's dreams.
The first painting shows a girl at the CHILD stage, with lots of dreams and hope contained within the cup.
The chair that accompanied this painting is a toddler's chair. It is very very stable.
In this stage of our life, we are probably the happiest and most stable.
We don't know about the future hence we don't fear the future.
So we dare to have dreams.
The second painting shows the girl growing up a little, becoming a TEENAGER.
In the painting she is trying to reach out for her cup but because the cup is placed at a high place she is losing her balance.
The chair is also incredibly unstable, with one leg shorter than the other three.
It is not a comfortable or even safe stage of our life. We try to realise the dreams we had when we were young but we realised that they are not as simple to achieve as we though they were.
Dreams may then be broken.
The third painting probably shows they girl at the TEEN stage.
Having broken the cup once, she is trying to amend it so that she can dream once again.
The chair for this painting is very narrow and it has a very slanted back which makes you feel scared when you try to lean back, like there's no support.
The damage done to our dreams left scars, making us fearful.
This is the time when we have to put in a lot of trust and motivation in ourselves to move one
and try again.
I really like this work because it is very closely linked with what we are experiencing at this age.
Also, Valerie has put in a lot of effort, studying the mechanics of chair-building while doing her paintings!
It's very commendable!
:)
I felt that her coursework not only has a very clear message, but she also expressed it in a very creative way.
The coursework consists of 3 paintings and 3 chairs.
Each of the paintings will pair with one chair and together they represents one stage of a person's life.
The whole series is then linked together with a cup - a representation of one's dreams.
The first painting shows a girl at the CHILD stage, with lots of dreams and hope contained within the cup.
The chair that accompanied this painting is a toddler's chair. It is very very stable.
In this stage of our life, we are probably the happiest and most stable.
We don't know about the future hence we don't fear the future.
So we dare to have dreams.
The second painting shows the girl growing up a little, becoming a TEENAGER.
In the painting she is trying to reach out for her cup but because the cup is placed at a high place she is losing her balance.
The chair is also incredibly unstable, with one leg shorter than the other three.
It is not a comfortable or even safe stage of our life. We try to realise the dreams we had when we were young but we realised that they are not as simple to achieve as we though they were.
Dreams may then be broken.
The third painting probably shows they girl at the TEEN stage.
Having broken the cup once, she is trying to amend it so that she can dream once again.
The chair for this painting is very narrow and it has a very slanted back which makes you feel scared when you try to lean back, like there's no support.
The damage done to our dreams left scars, making us fearful.
This is the time when we have to put in a lot of trust and motivation in ourselves to move one
and try again.
I really like this work because it is very closely linked with what we are experiencing at this age.
Also, Valerie has put in a lot of effort, studying the mechanics of chair-building while doing her paintings!
It's very commendable!
:)
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